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Craig Jenkins at Noisey, too, wondered, 'Is it all, as some have presumptuously suggested, just a manic episode? Is Kanye weird? Is he in danger? As spectators we'll never know.'Īnother surprise launch, Views drew muted notices, with most critics agreeing it was Drakey business as usual. 'West just drops broken pieces of his psyche all over the album and challenges you to fit them together,' said Rob Sheffield at Rolling Stone. Reviewers also picked up on Kanye's increasingly frayed tone, an element of Pablo that you can't help but read differently in light of West's recent hospitalisation for exhaustion.

Taylor Swift fans didn't like it, and neither, understandably, did Taylor Swift: an unedifying public spat between West, Swift and West’s wife Kim Kardashian followed.

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Alex Petridis at the Guardian termed it 'rambling, chaotic, deeply underwhelming, impressively audacious, and completely infuriating', while Gavin Haynes at NME went with 'dangerous, sparse, surreal, disjointed, hyper-realistic, cokey and constantly second-guessing its audience'.Īmong the sprawl, Pablo was full of classic one-liners ('What if Kanye made a song about Kanye / Called I Miss the Old Kanye? Man, that'd be so Kanye'), but most controversial was the following line from Famous: 'I think me and Taylor might still have sex / I made that b**** famous”.